You can drag these beats into the story map and even create acts that are visually represented by a square with a line under it. Some may argue that it’s not a ground-breaking feature but, as the old adage goes, “a good idea is a good idea.” Anything that helps writers with their stories and scripts certainly does no harm.Īnother new feature is the Beat Board, which functions as a digital corkboard, allowing you to write out your story beats and align them how you want them to play out in the story. You can even color code the beats you want to hit so that you can stay on track while you write your script. But that has been remedied in the new version, as each script now includes a story map that allows the writer to custom tailor their work to whatever type of script they’re writing: TV show pilot or feature film to name two.
Other writing software such as Scrivener used to best Final Draft in this regard. In previous versions, one of Final Draft’s weaknesses was its lack of outline aids that help a writer see the “big picture” of their script. The latest Final Draft, version 10, has some nice new features, though they’re not all must-haves - with a $99.99 USD upgrade fee or a $249.99 new version price, Final Draft is a bit pricey when compared to less expensive or free contemporaries. Each iteration of Final Draft improves upon the previous version, often adding new and exciting features. This industry leading screenwriting program, endorsed by James Cameron and Aaron Sorkin, is used by nearly 300,000 screenwriters. When it comes to screenwriting for the entertainment business, few software programs can compete with Final Draft.
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